In this ballet incorporated mime as well as academic dances, giving expression to the dance by narrative and histrionic context. After Noverre and his contemporary Gasparo Angiolini, others developed this trend in various waysespecially Jean Dauberval in the realistic depiction of contemporary country folk, Charles Didelot in moving toward Romantic stage illusion and fantasy, and Salvatore Vigan in the dramatic use of the ensemble (choreodramma) and naturalness of tragic gesture. More Info below.